Monday, September 22, 2014

THE LANDSCAPE OF TIME AND OF TIME LOST (week 4)

THE LANDSCAPE OF TIME AND OF TIME LOST



The landscape of Italy ( here I am referring to Tuscany and Umbria) is not necessarily overpowering. Romantically breathtaking, yes, but it is too refined and well thought out for high drama. The land has been sculpted by a succession of hands for thousands of years. The layers of numerous epochs reveal themselves subtly. An Etruscan wall borders a path trod by pilgrims in the 10th Century. It is a grand palimpsest  of time, but if you seek raw splendor, then you must go north to the Alps or better yet, cross the ocean to the "New World."


CHASING EDEN


Little Harbor ( New Hampshire)
James Aponovich
oil on canvas

Early in the 19th Century, European artists grew bored with this groomed, orderly landscape. They had read Rousseau and they wanted to embrace the primitive, aboriginal eden, untouched by the European model. They came to America, primarily to the coast of New England and the White Mountains of New Hampshire. Here, they thought they had found the raw, savage nature they were seeking.... until someone said,"the mountains are better out West.".......Bye.


THE FALLOW LAND

What happens when the vision of the landscape dies? We, in the United States, have always been interested in the next, better thing. We are always ready to drop what we have and move on to the next chapter. Our attention span is measured  not in minutes but seconds. A landscape thrives in direct proportion to the love and need we imbue it with. When abandoned and we turn our backs to it, the wild returns. By the wild, I am not referring to the trees reclaiming the land, but something more sinister, highways, malls, fun parks, and fast food joints.


LANDS END AND A BIT BEYOND



North Wind Clearing: Appledore Island
James Aponovich
Oil on canvas

The vision still breathes, but you must look for it, you have to seek it out. One such place lies seven miles off the New England coast, again, on the 43 Parallel, The Isles of Shoals. The original wild is still very much evident there.

Let us make our visit.

To be continued........



PANICALE HORTENSIA PAINTING UPDATE



Panicale, Hortensia ( in progress)
James Aponovich

Uh Oh....Heaven and Earth ain't workin' together. It's getting away from me a bit and I think I know why. You can paint from your mind or you can paint from your heart, rarely both. This is like sucking on a lemon. I'll see if I can fix it.



AMOSKEAG HYDRANGEA UPDATE



Amoskeag, Hydrangea ( underpainting/ in progress)
James Aponovich

"Va bene!"  The Italians would say. It is going well. It has taken a while to get the East Side washed in. Now, onto the West Side.





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